Sunday, September 17, 2017

Guardians of the Galaxy Vol 2

2017, James Gunn (Super) -- cinema

I have decided that each cinema viewing will never get relegated to the "3 Short Paragraphs" nomenclature, whether I have more or less than three paragraphs to say about the movie.

If you recall, I wasn't a huge fan of the first one. And no, that is not the typical passive aggressive way of saying I didn't like it; its just that, not a huge fan. The best thing about the movie is that it generated a lot of conversation between Kent and I. In his own write up, he says it best, "it was just the condensed, Reader's Digest-light version of what felt like it should be a much longer story." I have seen it half dozen, half paying attention times on Netflix since; I have softened to it, more enjoying bits than the movie as a whole.

But surprise surprise, I really completely fell into this one.

Where the first one introduced the characters, letting them save a planet from a Big Bad, and established themselves as the self-named Guardians of the Galaxy, this one picks up with them hiring out on that name. In a brilliant opening sequence, where Baby (but growing up!) Groot does a dance number to E.L.O. while the team (badly) fights a toothy alien monster in the blurry background, we are reminded to smile when we watch this movie. James Gunn wants us to have a good time.

If they didn't really save the galaxy in the first, they do this  time round. This is a truly grand scale movie, that doesn't just explore Peter Quill's mysterious past (why was he taken from Earth) but also shows how this team will fit well into the cosmic story coming. Even if we accept that the characters are not their mega-powered counterparts from the comics, they show they can hold their own against cosmic powers here.

<spoiler>Do I really have to say this now?</spoiler>

And that cosmic power? Ego, the Living Planet. Yup, Peter's dad was a god (small 'g') who wandered around the galaxy impregnating aliens. Based on his name (apt) and his attitude, I wouldn't be surprised if he stuck with planets where he could be male, and could be portrayed as a handsome example of such. Ego's life-force is tied to the planet of his origin, whereas his humanoid body is just an extension, as he desired to understand these beings that were everywhere.

He reconnects with Peter, dialing into Quill's desire to have familial connections, a past and a family. That is why I connected with the movie; because of the emotional quotient it allowed itself to have. From Peter and his dad, to Peter and Gamora exploring what they have, to Rocket and his anger, to Gamora and Nebula and finally, shifting Yondu and the Ravagers from background characters, to the forefront. In case you don't know, Yondu is actually a member of the original Guardians, in the comics. There was just so much emotion in this movie, and that roped me in.

I also found that Gunn balanced the humour and the action better in this one. I found that the humorous elements were more extensions of the way the characters would really act, instead of funny bits to make us chuckle. The way Rocket deals with the Ravagers was pure Rocket, and of course, Groot is always am Groot.

Its funny, where Kent saw this one as the lesser of the two, I saw this as the better. I think they were able to dispense with the setup the first required, and just dive into the characters and their dynamic. That didn't require them to be together the entire time, but when drawn together for the final battle with Ego, they all worked together like the dysfunctional machine they are.

And and and, Ego had legit, fleshed out motivations for his properly galaxy wide actions. So, this time they really guarded the galaxy from a proper super villain.

P.S. Would someone explain to me why rainbrow brite colours are so prevalent in this one? Why is the galaxy so neon?

P.S.S. What's wrong with a Zune? I love mine. But really, Peter just needs to get over it and visit Earth properly to grab an iPod and someone's external HDD with thousands of songs.

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